Lena Horne, who was the first black  performer to be signed to a long-term contract by a major Hollywood  studio and who went on to achieve international fame as a singer, died  on Sunday night at New York-Presbyterian/Weill Cornell Medical Center  in New York. She was 92 and lived in Manhattan.
Ms. Horne might have become a major movie star, but she was born 50  years too early, and languished at MGM in the 1940s because of the color  of her skin, although she was so light-skinned that, when she was a  child, other black children had taunted her, accusing her of having a  “white daddy.”  
Ms. Horne was stuffed into one “all-star” musical after another —  “Thousands Cheer” (1943), “Broadway Rhythm” (1944), “Two Girls and a  Sailor” (1944), “Ziegfeld Follies” (1946), “Words and Music” (1948) — to  sing a song or two that could easily be snipped from the movie when it  played in the South, where the idea of an African-American performer in  anything but a subservient role in a movie with an otherwise all-white  cast was unthinkable.
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