TULSA, Okla. — Oklahoma has always had a troubled relationship with her native son Woody Guthrie. The communist sympathies of America’s balladeer infuriated local detractors. In 1999 a wealthy donor’s objections forced the Cowboy Museum in Oklahoma City to cancel a planned exhibition on Guthrie organized by the Smithsonian Institution. It wasn’t until 2006, nearly four decades after his death, that the Oklahoma Hall of Fame got around to adding him to its ranks.This is the guts of American History in the 20th Century that many don't want anyone to know about. Please read the entire piece HERE to understand.
But as places from California to the New York island get ready to celebrate the centennial of Guthrie’s birth, in 2012, Oklahoma is finally ready to welcome him home. The George Kaiser Family Foundation in Tulsa plans to announce this week that it is buying the Guthrie archives from his children and building an exhibition and study center to honor his legacy.
“Oklahoma was like his mother,” said his daughter Nora Guthrie, throwing back her tangle of gray curls as she reached out in an embrace. “Now he’s back in his mother’s arms.”
The archive includes the astonishing creative output of Guthrie during his 55 years. There are scores of notebooks and diaries written in his precise handwriting and illustrated with cartoons, watercolors, stickers and clippings; hundreds of letters; 581 artworks; a half-dozen scrapbooks; unpublished short stories, novels and essays; as well as the lyrics to the 3,000 or more songs he scribbled on scraps of paper, gift wrap, napkins, paper bags and place mats. Much of the material has rarely or never been seen in public, including the lyrics to most of the songs. Guthrie could not write musical notation, so the melodies have been lost.
The foundation, which paid $3 million for the archives, is planning a kickoff celebration on March 10, with a conference in conjunction with the University of Tulsa and a concert sponsored by the Grammy Museum featuring his son Arlo Guthrie and other musicians. Although the collection won’t be transferred until 2013, preparations for its arrival are already in motion. Construction workers are clearing out piles of red brick and wire mesh from the loading dock in the northeast end of the old Tulsa Paper Company building, in the Brady District of the city, where the planned Guthrie Center is taking shape. The center is part of an ambitious plan to revitalize the downtown arts community.
Now that the back walls are punched out, workers trucking wheelbarrows of concrete can look across the tracks to the tower built by BOK Financial, which George Kaiser, whose foundation bears his name, presides over as chairman. Forbes magazine ranks Mr. Kaiser as the richest man in Oklahoma and No. 31 on its Forbes 400 list.
Ken Levit, the foundation’s executive director, said he thought of doing something for Guthrie after the Hall of Fame induction. Nowhere in Tulsa, he said, is there even a plaque paying homage to this folk legend, who composed “This Land Is Your Land”; performed with Pete Seeger and Lead Belly; wrote the fictionalized autobiography “Bound for Glory”; and sang at countless strikes and migrant labor protests in the 1930s and ’40s. Mr. Levit began a more than three-year campaign to win the consent of Ms. Guthrie, who had taken custody of the boxes that her mother, Marjorie Guthrie, had stowed away in the basement of her home in Howard Beach, Queens.
Ms. Guthrie, who as one of Guthrie’s youngest children, didn’t really know her father until Huntington’s disease began to rob him of his sanity, movement and speech many years before his death, in 1967, said she only rediscovered the kind of man he once was when she started to page through the boxes about 15 years ago.
“I fell in love through this material with my father,” Ms. Guthrie, 61, a former dancer, said from her office in Mount Kisco, N.Y.
More later.
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