Many good works, and some so awful they're hard to think about, or even remember.
New York Times:
Paul Mazursky, an innovative director and screenwriter who both satirized and sympathized with America’s panorama of social upheavals in the late 1960s and ’70s in films that included “Bob & Carol & Ted & Alice,” “Blume in Love” and “An Unmarried Woman,” died on Monday in Los Angeles. He was 84.
A family spokeswoman, Nancy Willen, said he died of pulmonary cardiac arrest at Cedars-Sinai Medical Center. Mr. Mazursky lived in Beverly Hills.
As the nation’s counterculture revolution shattered traditional norms of sex, marriage and conformity, Mr. Mazursky made his most popular and commercially successful films: lighthearted sendups of wife-swapping, yoga classes, group therapy, pot-smoking, midlife crises and other self-absorbed, middle-class indulgences that reviewers said he crafted with even-handedness and generosity.
Some critics complained that his satire wasn’t cutting enough. Others called his comedies crisp at a time when behavior was at its fuzziest. Vincent Canby, in a 1976 analysis in The New York Times, acknowledged: “Mazursky is a tough man to handle critically. He is alternately witty and brilliantly sarcastic, then suddenly, soddenly sincere and self-centered, only to explode unexpectedly as a first-rate social satirist.”
In his most vivid illustration of the technique, he explored the pain and dislocation of divorce, and its liberating effects, in “An Unmarried Woman,” released in 1978 and quickly embraced by the women’s movement. His screenplay was nominated for an Academy Award, while the film itself was nominated for a best picture Oscar and Jill Clayburgh for best actress.
And so it goes.